Published Monday, November 12, 2018, 14:11 AM EST
Last Updated Monday, 12 November 2018 15:06 EST
LOS ANGELES – Stan Lee, the creative dynamic that revolutionized the comic book and helped to make billions to Hollywood by introducing human frailies into superheroes such as Spider-Man, Fantastic Four and Incredible Hulk, though Monday. He was 95.
Lee was declared dead at Cedars-Sinai Medical Center in Los Angeles, according to Kirk Schenck, a lawyer for Lee daughter, J.C. Lee.
As a top writer on Marvel Comics and later as its publisher, Lee was widely regarded as an architect of contemporary comic books. He revived the industry in the 1960s by offering costumes and actions required by younger readers while insisting on sophisticated sites, dialogue at college level, satire, science fiction, even philosophy.
Millions responded to the unlikely mix of realistic imagination, and many of his characters, including Spider-Man, continued Hulk and X-Men to become stars of blockbuster movies. The latest projects helped him to distinguish himself from the "Black Panther" and "Doctor Strange" movies to such TV series as "Agents of S.H.I.E.L.D" and "Guardians of the Galaxy." Lee was recognizable to his fans – he had cameos in Marvel movies and television projects, his hairy gray and his glasses shone.
"I think everyone loves things that are bigger than life … I think of them as stories for adults," he told Associated Press in an interview from 2006. "We all grew up with giants and ducks and witches. You get older and you are too old to read fairy tales. But I do not think you ever grow up your love for such things, things that are bigger than life and the magic and very imaginative. "
Lee considered the comic book media an art form, and he was diligent: in some accounts he came up with a new comic book every 10 years.
"I wrote so many I do not even know. I wrote either hundreds or thousands," he told AP in 2006.
He hit his step in the 1960s when he brought Fantastic Four, The Hulk, Spider-Man, Iron Man and many others to life.
"It was as if there was something in the air. I could not do anything wrong," he recalls.
His heroes, meanwhile, were far from virtuous do-gooders like rival DC Comics Superman.
Fantastic four fought with each other. Spider-Man entered the superhero work of his alter ego, Peter Parker, as a result of unwanted crushes, money problems and dandruff. Silver Surfer, an extraterrestrial sentenced to wander the earth's atmosphere, grew about humble humble nature. The hulk was marked by self-esteem. Daredevil was blind and Iron Man had a weak heart.
"The beauty of Stan Lee characters is that they were characters first and superheroes the next," Jeff Kline, executive producer of the animation "Men in Black," told The Blade of Toledo, Ohio in 1998.
Some of Lee's creations became symbols of social change – Spider-Mans inner turmoil represented 60's America, for example, while The Black Panther and The Savage She-Hulk reflected the minority and women's travails.
Lee wrote most of Marvel's superhero comics himself in the 1960s, including Avengers and X-Men, two of the most lasting. In 1972 he became Marvel's publisher and editor; Four years later, 72 million copies of Spider-Man were sold.
"He has become our Mickey Mouse," he once said about the masked, web-scrambled crusader.
Lee also published several books, including "The Superhero Women" 1977 and "How To Draw Comics the Marvel Way" the following year, when he was nominated for this year's publisher of America's Periodical and Book Association.
CBS made Hulk a successful TV series, with Bill Bixby and Lou Ferrigno depicting the sentenced researcher from 1978-82. A Spider-Man series ran short in 1978. Both characters were also featured in animated TV shows.
The first major budget movie based on Lee's sign, "X-Men", was a crush of 2000 and earned more than $ 130 million in North American theaters. "Spider-Man" did even better and brought in more than 400 million dollars in 2002.
Stanley Martin Lieber was born December 28, 1922 in New York. He grew up a fan of "Hardy Boys" adventure books and Errol Flynn movies, and got to work at Early Comics after graduating from high school.
Within a few months, the editor and art director ceased to leave 17-year-old Lee with creative control over the company, which was renamed and renamed Atlas Comics and finally Marvel. Lieber changed his name and thought that Lee would be used for "dumb little comedians" and his real name would be reserved for novels.
His early work largely reflected popular movies – the West's crime scene, romance, whatever the rage at that time. He worked for about 50 cents per page.
After an effort in the World War II Army, writing for training films, he was back at Marvel to begin a long and even boring run of the comic book series production.
Serials in the 1950s were subject to the Senate hearings conducted by the Comics Code Authority, which frowned on gore and characters that questioned the authority. Major comic books accepted the code as a form of self-regulation to avoid sanctions.
Lee said that he also worked for a publisher who watched comics as the only price for children.
"One day, I said," It's crazy, "says Lee to the Guardian in 1979." I just do the same kind of stories as everyone else. I was not proud of my work and I wanted to quit. But my wife said, "Why are not you doing the kind of series you want for a change?"
The result was the first question of "The Fantastic Four", 1960, with the characters, plot and text from Lee and the illustrations of the famous Marvel artist Jack Kirby.
The characters were normal people changed in reluctant superheroes because they had no errors.
Writing in the "Origins of Marvel Comics" describes Lee Quartet as follows: "The characters would be the kind of characters I could personally relate to, they would be flesh and blood, they would have their mistakes and feet, they" D are fatal and feisty and – most importantly – inside their colorful, costumed booties they would still have feet of clay. "
"The Amazing Spider-Man" followed in 1962 and for a long time, Marvel Comics was an industry event.
Lee knew that his work was different and noted proudly that stories were drawn on several issues, in order not to earn money without better developing characters, situations and themes. He also did not neglect his villains. One, Moleman, got bad when he was radiated because of his appearance, Lee wrote and added that it was "almost indisputable in a comic book" to explain why a character was what he was.
Read direct influences faded in the 1970s when he gave up some of his editorships at Marvel. But with his brand's white mustache and tinted sunglasses, he was the industry's most recognizable figure. He lectured widely about popular culture.
Lee moved to Los Angeles 1981 to head of Marvel Productions, an animation studio later purchased with Marvel Comics, for $ 50 million by New World Entertainment.
When sales of series decreased, Marvel became forced into bankruptcy, which meant that it had to cancel a lifetime agreement that prohibits Lee from working for someone else. Lee later sued Marvel for $ 10 million and said the company fooled him out of millions in winnings from movies based on his characters.
In 2000, Lee agreed to write stories for DC Comics, reinventing Superman, Batman, Wonder Woman and other signature characters for Marvel's one-time rival. DC vice president and publisher Paul Levitz had nothing but praise when the deal was made.
"With his artistic collaborators at Marvel, Stan created the richest imaginary universe that a single comedian ever built," he said.
The nice, friendly comic book genius continued to work in its 90's on many projects, including comics, movies and DVDs.
In the late 1990's he saw capitalizing on the Internet wilderness and offers animated "Webisodes" of comic-like action. Stan Lee Media also tried to reach out to online youngsters by shopping with popstars Backstreet Boys and Mary J. Blige.
The company went bankrupt, and three men were charged with allegedly conducting the operation in a check cheated fraud. Lee was not involved.
After the first failure, Lee formed the successful Pow! Entertainment company to launch animated internet-based projects.
Lee is survived by his daughter, Joanie. His 70-year-old died last year.
Associated Press writers Dave Zelio and John Rogers contributed to this story