The long queue, which was formed in front of Farma Karlin on Friday night, began to run for half an hour, half an hour before the concert began. The frozen fans, however, entered the hall and, with the musical appreciation, they starred for the third time the star's duo. The British composer, singer, bass player and soul and body musicist Sting returned to Prague after a year and a half, where he also invited Jamaican rapper Shaggy. And along with the six accompanying musicians they showed an energetic show full of reggae and classic Sting hits, back to the police.
Sting, who had already celebrated his sixtieth birthday a month ago, is not afraid to experiment. On the contrary, he seeks new musical ways, but he remains himself. When he had previously joined Shaggy, they only planned to record musical tribute to Caribbean sounds in the song Do not let me wait. The collaboration between musicians, combining love of reggae and the country where this style is popular music, has fun to record the entire album and go on a joint tour. They called them 44/876 according to UK and Jamaica's phone preferences.
Rock ballads, rap and nice double voice
It was not just a combination of numbers. The Prague concert showed that there was a perfect combination of genres and characters. Musician led by Sting behind the microphone and the bass and the colorful dance Shaggym with the microphone in the hand concert began with a blow English in New York, sometimes changeable at Jamaican in New York. The hits that Sting has in his account with a fine line changed the songs from the new Caribbean album interwoven with Shaggy rapping and guiding the audience under the rhythm of the reggae. The audience met Message in a bottle. Every little thing, she does it magic, Every breath you take. Desert Rose, Fields of Gold and other hits. These were often special with Shaggy's rap decorations.
While Sting went uncompromisingly and masterly from one song to another, the fifty-year-old Shaggy embraced enthusiastically as an entertainer. He constantly encouraged the audience to collaborate, dance and applaud. In the song Crooked Tree He dressed the judge's coat and put on his wig to condemn Sting in a striped trick for the inalienable sins of the theater scene. Sting showed again that although the vocal band had already moved something, the beautiful color of the voice continued and the ability to capture his vocal songs lasted for a remarkably long time in a tone, and he would not give up. Shaggy showed again how many words he could say in a rhythm of a verse chanting women in the audience and assumed the player's role flawlessly. Still, he could adapt to the finer double song he sang with his British colleague, for example fragile.
When the musical energy was gradually transferred to the audience, the atmosphere in the hall gained strength. After Sting introduced his accompanying musicians, including, apart from Shaggy, two guitarists, a drummer, a keyboardist and two big vocalists, each had their solo, they had to come twice on the podium. Yes, like Sting sang in So lonely, Welcome to this two men show.